anamorphic-a-day :: #33

Playing with dioptres again but not to such a severe extent this time.  Was able to open up the aperture to f/1.4 and play with some lighting to pick out shapes and translucency...  And a lens flare ;)  Anamorphic fo' realz.

[full size here]

anamorphic-a-day :: #32

Back again trying to do macro-photography with anamorphics.  As far as I know, doing this sort of thing with this lens setup is all kinds of stupid.  Nevertheless, I think the result is quite pretty - largely on account of lovely work by the very talented Miae Kim [antige.etsy.com].

To make this happen though I had to use every dioptre I had, including ones that blatantly didn't fit, necessitating the use of packing tape.

Soooo ghetto...

anamorphic-a-day :: #31

Crow trails.  Again, another example of a picture I've been meaning to take for a long time.  About 470 separate images combined to make this singular image. Slightly lower resolution as I used the BlackMagic Cinema Camera to record the crow footage.

[full size here]

anamorphic-a-day :: #30

"The engineers were here.".  Ok, not quite Prometheus.  This is a quadruple-exposure.  Each time the tide had risen, which is how the water looks a bit like mist.

[full size here]

anamorphic-a-day :: #29

anamorphic-a-day :: #28

anamorphic-a-day :: #27

anamorphic-a-day :: #26

Another cheat day I'm afraid, using a photo that was taken on Wednesday, because of being so swamped with work today.

For those who are wondering what this photo is, it's the skyline on its side on the left half, with the reflection in a muddy pool on right.

[full size here]

anamorphic-a-day :: #21

First times: snowshoeing & visiting Grouse Mountain.  Fun stuff.  Not double checking camera settings and accidentally capturing images at 1080p jpeg as opposed to 4k RAW kind of sucked though.  Fortunately I managed to get some decent stuff out of it.  Here's one of the images.

anamorphic-a-day :: #4

Rough session today. It was baltic cold.  The anamorphot was practically freezing up, and my hands doubly so.  Consequently finding the ever-illusive focus was even more troublesome.  Further, most of what I captured was rubbish.  This was the best of the bunch!

Success beyond expectation!

Well isn't this a turn up for the books.  After many months of trying I have finally won an Iscorama 54.  Or rather more specifically, an Isco-Optic 16:9 Video Attachment with a 54mm rear optical port.  Not only that, the person I bought it from turns out to be a true gentleman, kindly giving much valuable advice.

Essentially, this would appear to be the perfect adaptor, in my view.  It has a 1.33x horiz squeeze (on account of it being intended to turn 4:3 to 16:9.  Of course this means that it turns a 16:9 native camera like the Lumix into a 2.35:1 device.  Perfect!  I didn't even know these existed.  It is optically wonderful.

You set the taking lens (FD Primes in my case) to infinite focus (or sometimes just under) and then focusing to your heart's content using the Isco's focus ring, which is smooth and controllable.  The adaptor even has a locking system to allow you to orientate the anamorphot so that it's correctly vertical.   That's really really useful.  No more messing around with tape on the ring threads to change the bite point, or using a star filter with the glass smashed out to give you rotational freedom.

Honestly, I couldn't be happier.  It's a heavy so and so, but sturdy and the camera/lens assembly deals with it well, though will probably get a rails/rod support system at some point.

But anyway, I'm a very happy bunny.  I just wish I had two cos I'm permanently paranoid about dropping it!  If you find one of these, get it.  No thought required.